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a lack of confidence in myself, in life, when talking to people

wobbly, wobbled in actuality, liVING

not centred for an unpicking

being doing

onwards journeying delicate strong I gentle ou tof something long term in to very much concentrated now term

anxious correct ________________

and so we talked about two paintings which i made at the end of 2012 and that was useful

comparisons are interesting in hindsight

AND NOT USEFUL WITH UNRESOLVED WORKS- DEFINITE

so present painting: ist adam and eve? no, genesis? no

look at Alasdair Grey’s murals in terms of these faces THEY ARE FACES FROM THE TEMPLE OF FIVE CONCUBINES ‘si miao’

not strong enough to talk of the depths within my present narrative o circling imagery- this IS LIFE NOW WE ARE SPINNING AS PART OF THIS UNIVERSE

[ circular oval paintings; Luke Tymans/ Moira Flannigan.

Georgio Morandi- small paintings, big brushes

FLOWERS EAST- LONDRE

Merlin James- false attachments- objects in space in paintings- foreground/ background, joined by a table top= not three objects as one- that would be false. Three objects.

when talking of painting: choice of words and awareness of what is all around and how things work is important and necessary in terms of not insulting people

know to disconnect from what is within your work and what you are looking at perceiving and what you are saying ABOUT SOMEONE ELSE’S WORK_____________B E   A W A R E !!!!!!!!!!!!!

THE NEXT DAY:

I came in to the studio and was ready to paint, fresh, in the moment planning. i had had my bird necklace hanging over the primed bare board for about a week and today I painted similar birds onto the board, flying next/ in to cliff caves, home safety, a place to feel the twinkling stars from the inside, warm shelter, kind darkness. peace.

the universe outside, and being part of it,  and safe on the inside, that is what this painting is going to be about

(i am going to leave the universal army for the next big work i make…it can be extended.)

TO MAKE FOUR BIG BOARDS-

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