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THIS PAINTING AND ‘DONG XI’, WHICH I MADE TO SHOW AT THE R.C.A. ARE SO FREE THEY COULD BE READ AS BAD. I HAVE SCRUBBED AND FILLED AND PLACED AND I FEEL LIBERATED TO BE WORKING IN SUCH A LOOSE AND LARGE WAY, APPRECIATION OF NO BOUNDARIES. my body gets tired as i reach and stride apart the space, its a great use MY

WHOLE SELF INVOLVED IN EXPERIMENTING WITH THE LANGUAGE OF PAINT.

HOW ‘BADLY’ CAN I PAINT? AND STILL MAKE A SUCCESSSFUL WORK? THIS NOTION FILLS ME WITH SMILES!

THEY ARE LARGELY about finding a way to externalise inner happenings. If they have been long and large then they need to take a large form in the

PHYSICAL.

EXECUTION IS quick however, its about a realisation which is known so can be RAPIDLY STOOP stoop

put out..

something is said and then concerns with colour and detailed composition, word inclusion

can stagger the smooth momentarily

BUT THIS IS POSITIVE THINKING

(‘what does it mean to b a painter who thinks?’)

there is colour: SENSED

ITS ALL

FELT.

like we play songs to echo, enhance up, empathise with feeling of happiness of melancholia

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